Thirty-Five 'Lux
Photographs of the Human Condition ... mostly.
Ask me anything
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Palm Springs, Calif.: May, 2013. Contemplation. Leica M (Type 240). 50 Noctilux .95. Aperture.
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Palm Springs, Calif.: May, 2013. Ralph Gibson bored with a nude. Leica S2. Leica-S 2.5/70. Aperture. Silver Efex Pro 2.
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Los Angeles, Calif.: April, 2013. Late night cut. Fuji X-Pro 1. XF 18/2.0 R. Aperture. Silver Efex Pro 2.
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Los Angeles, Calif.: April, 2013. They seemed awkward … until they kissed … then they photographed their food. Fuji X-Pro 1. XF 18/2.0 R. Aperture. Silver Efex Pro 2.
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Los Angeles, Calif.: April, 2013. Girl admiring vintage Man Ray prints at Paris Photo LA. Fuji X-Pro 1. XF 35/1.4 R. Aperture.
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Los Angeles, Calif.: April, 2013. Kitchen view. Cigar box 4x5 pinhole camera for 4 minutes. Tri-X 320 in Rodinal 1:50 for 14 mins at 21C. Epson V700 > > Aperture.
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Pasadena, Calif.: April, 2013. Listening. Leica M (Type 240). 50 ‘lux. Aperture. Silver Efex Pro 2. I’m still happy with the Fuji X-Pro 1: The M is a nice camera but not worth the money.
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Los Angeles, Calif.: February, 2013. A much needed drink. Leica M6 TTL. 35/2.0 Summicron. Tri-X 400 at 1600 »> Diafine »> Nikon Coolscan V »> Aperture.
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Pasadena, Calif.: December, 2012. Still. Leica M6 TTL. 35/2.0 Summicron. Neopan 400 »> X-Tol 9.75 mins »> Nikon Coolscan V »> Aperture. Footnote: I actually ran into this guy again and asked him if he ever ate at the restaurant where this was shot. Turns out not only is he a top IP/Copyright attorney but he’s also a nice guy AND we have a mutual friend. Small world.
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Los Angeles, Calif.: April, 2013. Street-dancing pug. First export through Aperture with the Fuji RAW files. Fuji X-Pro 1. XF 18/2.0 R. Aperture. Silver Efex Pro 2.
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jasonmuelver asked:Hey Chris.. Thanks for the follow. I was just about to jump into an M9 for some of my portrait and wedding work, but the Fuji Xpro looks great. I had no ideas about the reliability issues with the M9. Any thoughts with the new M coming out? Looks to have similar guts as a d600 with 5x the price tag.
no worries, man! thanks for following me. honestly, try both the fuji x-pro1 and the m9. with the m9 make sure you’re not shooting in too dark of an environment because over 800 or 1250 the colour files that come out of it are useless. if you’re only shooting monochrome, then all good to 1600. honestly, the m9’s files have more soul than what i’ve seen come out of the m (type 240).
i’ll bet the d600 can kick the m’s (type 240) ass. -
Los Angeles, Calif.: February, 2013. Sweating the small stuff. Fuji X-Pro 1. XF 35mm/F1.4 R. Lightroom 4. Silver Efex Pro 2.
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San Marino, Calif.: December, 2012. An afternoon trim. Wish, though, I would have used a film camera for this. :( Fuji X-Pro 1. XF 18mm/F2 R. Lightroom 4.
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San Francisco, Calif.: December, 2012. Made some frames while shooting our project. Tiny little human face. And I thought it’d be a fun neg to print. Leica M6. 35 ‘cron. (Fuji Neopan 400/X-Tol/Scanned Glossy Fibre Print)
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Hollywood, Calif.: March, 2010. A couple people saw what I did but I think I was the only one with a camera. Leica MP. 35 ‘lux. Aperture. (Ilford Delta 400/Lab Scan)
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